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Alan Granville February 11, 2026 • 9:15am Stuff New Zealand

‘King of Romance’, Engelbert Humperdinck returns to New Zealand

“I have a song that I do in my show that people in New Zealand just love. Every time I come, that's the first I put on my list.”

The song is Ten Guitars and it was written for legendary crooner Engelbert Humperdinck. Now 89 years young, the self-styled King of Romance has announced a tour of New Zealand, and fans will be hearing that song “two or three times” in the set.

The popularity of the tune here is a curious quirk in Humperdinck’s long career.

It was the flip side to his first major international hit, Release Me. Released in 1967, it was a DJ in Rotorua, Eddie O'Strange, who championed the B-side. The song became wildly popular, particularly among Māoriperformers. It was even the subject of a documentary by Geoff Cawthorn.

Humperdinck admits the success of Ten Guitars caught him by surprise, and even now he “can’t believe it”.

“Little kids, they all sing it. They all know it, they don't even know who Engelbert Humperdinck is but they know Ten Guitars.

“It’s a lovely song. It’s a very happy song, and I’m pleased it’s got that kind of success in New Zealand.”

Born Arnold George Dorsey in 1936, he performed as Gerry Dorsey until he was advised by then-manager Gordon Mills to adopt his unusual stage name, taken from a 19th-century German composer, to stand out from the crowd. It worked, and he went on to sell 150 million records.

Humperdinck isn’t slowing down despite his many years in the industry: “Music is my love. And this is my 59th year in show business, and so we're celebrating it by doing a celebration tour, and we're going to go to a lot of places around the world again.”

He will play Wellington, Christchurch and Auckland in June, his first visit to these shores in seven years, with concerts also in Australia and the US.

Humperdinck says touring now is a bit different than in the 1970s: “We used to do about 300 shows a year, and that was quite ridiculous.

“I once did 81 nights in a row. The plane was waiting at the airport, and we took off every day, and that particular night, we'll do the show, get on the plane that night, fly to the next venue, and that's how we did 81 in a row. And it was quite exhausted.”

He admits to having a few regrets over his career, including losing out on a wildly popular tune.

“I had a song once that I thought to myself, ‘this is a hit. I'm going to record it’. And it was Strangers In The Night, and I recorded the song. Then my manager said, ‘you can't do it’. I said, ‘why?’. He said, ‘Frank (Sinatra) wants it. And I said, ‘well, what the heck?’. Anyway, he got it, and he had a number one hit.”

Humperdinck is still recording with a release of his take on 80s classics from the likes of Aerosmith and KISS due later in the year.

While he is promising a mix of classic tunes and contemporary releases in his concerts, there is one song he refuses to sing - Lesbian Seagull. The song was originally released 

in the late 1970s but Humperdinck was approached by the makers of Beavis and Butt-Head Do America to re-record the tune for animated movie.

“When I first heard the song, they played it to me. I said, ‘OK, I'll go ahead and do it’. And it turned out to go platinum, but I don’t put it in my show. It's kind of difficult.”

His music keeps finding new fans, with songs popping up in the likes of action movie Bullet Train and TV shows Umbrella Academy and Moon Knight, something he finds really satisfying.

So when will Humperdinck call it quits on touring?

“I did my farewell tour last year. And I tell you what, once I finished the tour, and then I had a three month break, I was climbing the walls. I called up my manager, and I said, ‘there's no way this is my last tour. Let's carry on’.

“I keep putting out new records and I've got a great following, and I want to keep doing it until the old man (upstairs) calls me.”

Engelbert Humperdinck Celebration Tour

Friday, June 26: Wellington – Michael Fowler Centre

Sunday, June 28: Christchurch – Christchurch Town Hall

Tuesday, June 30: Auckland – Kiri Te Kanawa Theatre

General release tickets available here from 10am, Thursday, February 12.

-Stuff

https://www.stuff.co.nz/culture/360936920/uk-crooner-behind-one-most-popular-fireside-songs-new-zealand

This Valentine’s Week, we celebrate love with a true icon. The legendary Engelbert Humperdinck joins The Roundtable as he turns 90 — and proves romance never goes out of style. With timeless classics like “Release Me” and “After the Lovin’,” brand new music, and a worldwide tour that includes a stop right here in Detroit, Engelbert reminds us why his voice has been the soundtrack to love stories for generations.

We talk about enduring passion, performing across decades, and what keeps him inspired as he enters this milestone year. It’s heartfelt, nostalgic, and the perfect Valentine’s Week conversation about love, legacy, and living fully. Light a candle, pour a glass of wine, and press play — because romance is alive and well.

Listen on Broadway Podcast Network, Spotify, Apple Podcasts, iHeart, YouTube, and everywhere you stream.

Follow Robert at RobertBannon.com and on Instagram @RobertMBannon.

https://broadwaypodcastnetwork.com/podcasts/the-roundtable/engelbert-humperdinck-on-a-valentine-s-week-special-edition/808

Joe Taysom

Fri 13 February 2026 Far Out Magazine

In a new interview with Far Out, Jethro Tull singer Ian Anderson has confirmed that he appears on the new album by Engelbert Humperdinck. 

Anderson made the revelation during the broad conversation, published on February 11th, which also saw him reflect on his lifetime in music.

Upon being asked about his thoughts on the current musical landscape, Anderson said of Taylor Swift and Ed Sheeran, “I don’t dislike them on a personal or musical level, but I don’t find their music or lyrics particularly of remote interest to me, they don’t in any way satisfy my taste in music or songwriting.”

Anderson is more focused on his own work rather than what is being made by other artists, before revealing that he recently worked with Humperdinck.

The singer divulged, “I played on a track for Engelbert Humperdinck a few weeks ago, would you believe. So I look with interest on sometimes on things that I’ve actually played on for other people, that’s probably the only time I really listen to any new music.”

While Anderson did not have the full details to hand regarding Humperdinck’s next album, he did say that he was told “it’s scheduled sometime in 2026”.

Although they are both huge stars from a similar era in music, the upcoming track will mark the first time they have collaborated.

Humperdinck, aged 89, released his last album, All About Love, in 2023. He is set to begin his American tour on February 19th in Chandler, Arizona, and also has dates planned in Australia and New Zealand later this year.

Elsewhere in his new interview with Far Out, Anderson explained why he has no plans to retire anytime soon, admitting, “It would seem in a way a bit churlish to pack it in now, but I still have to be realistic. The end, whilst it’s not in sight, it is a glimmer on the distant horizon that is going to come ever closer.”

Anderson also has no plans for a farewell tour, explaining, “And when it does get sufficiently close to me to have to make the announcement ‘This is Jethro Tull – The final tour’ then I won’t, because I don’t believe in announcing such things.”

https://faroutmagazine.co.uk/jethro-tull-ian-anderson-appears-on-engelbert-humberdincks-album/

February 10, 2026  Sheldon Ang Sheldon Ang Media Concert, Live Music, Live Performance, Music, Tour

The certified ‘King of Romance’, Engelbert Humperdinck returns to Australia this June and July with ‘The Celebration Tour.’

Englebert will perform shows in New Zealand before heading to Brisbane, the Gold Coast, Melbourne, Adelaide, Perth winding up the tour in Sydney.  Tickets to all shows will be available from Tuesday 10thFebruary.

The Australasian dates are an extension of his United States tour, which begins this month in Arizona. The British icon will present selections from his comprehensive and acclaimed repertoire, performing with the support of his band.

Englebert last performed in Australia in 2024 with reviews leaving no doubt he is still at the top of his game:

‘…a masterclass in stagecraft’ – The Music

‘… Humperdinck is astounding.  The love he endures within so many is well deserved. A treasure, it was an absolute pleasure to have seen such a legend…’. – Scenestr

‘To be in the audience of such a legend was a blessing’ – Noise 11

Engelbert who turns 90 on 2nd May, has enjoyed a remarkable career spanning over 60 years with record sales in excess of 150 million, including 64 gold albums and 35 platinum, four Grammy nominations, a Golden Globe, and stars on the Hollywood Walk of Fame, Las Vegas Walk of Fame, and Leicester Walk of Fame.

His enduring popularity is attributed not only to his remarkable vocal talent, but also to his engaging personality, characterised by a distinctive sense of humour and self-effacing remarks. These qualities have helped retain a devoted fan base and, more recently, attracted a younger audience through platforms such as YouTube and social media.

Engelbert exploded on to the music scene with The Beatles and The Rolling Stones. The shy handsome man catapulted almost instantly to world icon. He became great friends with Elvis and the two legends often performed each other’s songs. His first single in the charts was “Release Me,” which went into the Guinness Book of Records for achieving 56 consecutive weeks on the charts. It was No. 1 in 11 countries. The following decades see Engelbert constantly touring the world to sell-out crowds. He takes great pleasure in every moment on stage. 

His music has transcended time, and his voice continues to reach out to people now – serving to transport and inspire, to embrace and to provoke feelings and emotions…ingredients that are no doubt the essence of his long-lasting success. 

Engelbert’s hit song ‘A Man Without Love’ was featured in Marvel’s ‘Moon Knight’ Disney+ Series. In Sony Pictures’ new Brad Pitt film ‘Bullet Train’ Engelbert’s song ‘Forever Blowing Bubbles’ is featured. And in Netflix’s ‘Umbrella Academy” his ‘Quando, Quando, Quando’ is heard.

In November 2023 Englebert released the documentary ‘Englebert Humperdinck:  The Legend Continues’.  With unprecedented access to him and his close family, friends and business associates, director Steven Murray delivers a heart-warming chronicle – shot across two continents at locations close to Engelbert’s heart – which shines an insider’s light on this multitalented, yet humble and unexpectedly humorous musical genius.  The documentary offers a unique insight into the world of Humperdinck, including never before seen concert footage and funny, frank and touching narration by Engelbert himself.

With an untouchable stage presence and so many undeniable songs, fans young and old will be in for a magical evening they won’t forget.

ENGELBERT HUMPERDINCK THE CELEBRATION TOUR DATES 2026:

Saturday 4th July

Brisbane – QPAC – Concert Hall, QLD

Monday, July 6
Gold Coast – The Star, QLD

Wednesday, July 8
Melbourne – Hamer Hall, VIC

Friday, July 10
Adelaide – Her Majesty’s Theatre, SA

Sunday, July 12
Perth – Riverside Theatre, WA

Tuesday, July 14
Sydney – State Theatre, NSW

Mellen Events pre-sale:
9.00am Tuesday 10th February until 9.00am Thursday 12th February

General Public on-sale:
10.00am, Thursday 12th February
Tickets available at:
www.mellenevents.com

https://sheldonangmedia.com/press-release/engelbert-humperdinck-announces-the-celebration-tour/

Stuff reporters February 8, 2026 •

Legendary performer and self-styled King of Romance, Engelbert Humperdinck, will return to New Zealand and Australia in June and July as part of his extended world tour, The Celebration Tour.

The British singer, who turns 90 this May, will play in Wellington, Christchurch and Auckland before heading to major Australian cities including Brisbane, Melbourne and Sydney. It will be Humperdinck’s first New Zealand visit in seven years.

Tickets go on sale Tuesday, February 10, with a Mellen Events pre-sale from 9am that day through to Thursday morning. General public tickets will be available from 10am Thursday.

With over 150 million records sold, 64 gold albums and 35 platinum, Humperdinck remains a global musical icon. His songs have recently featured in hit shows like Moon Knight, Umbrella Academy, and the film Bullet Train, helping introduce his music to a new generation.

Humperdinck last toured Australia in 2024 to rave reviews. Critics described his performances as “a masterclass in stagecraft” and praised his enduring voice and charm.

In a message to fans, Engelbert - real name Arnold George Dorsey - said he’s excited to return to New Zealand. His recently released documentary The Legend Continues offers a candid look at his life and legacy.

https://www.stuff.co.nz/culture/360935912/engelbert-humperdinck-announces-2026-celebration-tour-new-zealand?utm_source=piano&utm_medium=recommendation&utm_campaign=readmore&utm_position=1&utm_platform=web&utm_content=3image

by PAUL CASHMERE on FEBRUARY 9, 2026 Noise11.com

Engelbert Humperdinck will return to Australia this winter as part of The Celebration Tour, extending his latest run of international dates and marking another milestone moment in an extraordinary career.

Engelbert Humperdinck will bring his unmistakable voice back to Australian stages in June and July, announcing a national tour that reinforces his enduring connection with local audiences. The Celebration Tour will see the British icon perform across Brisbane, the Gold Coast, Melbourne, Adelaide, Perth and Sydney, following an opening run of shows in New Zealand.

The Australasian leg is an extension of Humperdinck’s current United States tour, which begins this month in Arizona. Accompanied by his band, he will draw from a repertoire that spans more than six decades, presenting songs that have defined multiple eras of popular music while continuing to resonate with new generations of listeners.

Humperdinck last toured Australia in 2024, returning to sold-out venues and reaffirming his reputation as a consummate live performer. Noise11 described the experience as being in the presence of a true legend, a sentiment that has followed Humperdinck throughout a career built on consistency, professionalism and a genuine rapport with his audience.

Born Arnold George Dorsey in Madras, British India, in 1936, Humperdinck’s life in music began long before global fame arrived. Raised in Leicester after his family relocated to England, he initially worked as a saxophonist before finding his voice as a singer in the late 1950s. Early recording attempts under the name Gerry Dorsey brought limited success, and his career was further interrupted by national service and a lengthy battle with tuberculosis.

Everything changed in the mid-1960s when he partnered with manager Gordon Mills and adopted the stage name Engelbert Humperdinck. The transformation was swift and decisive. In 1967, Release Me became an international phenomenon, topping charts in multiple countries and spending an unprecedented 56 consecutive weeks on the charts. It was soon followed by a run of defining hits including The Last Waltz, There Goes My Everything and A Man Without Love, establishing Humperdinck as one of the most recognisable voices of the era.

Emerging alongside The Beatles and The Rolling Stones, Humperdinck carved out his own space during a period of rapid musical change. His success was global, and friendships with contemporaries such as Elvis Presley reflected the mutual respect he commanded within the industry. Over the decades that followed, relentless touring became central to his career, a commitment that continues today.

By the 1970s, Humperdinck had also secured major success in the United States with songs such as After The Lovin’ and This Moment In Time, while his elaborate live productions made him a fixture in Las Vegas. Television series, international residencies and charting albums followed, reinforcing his standing as both a recording artist and a live entertainer.

In more recent years, Humperdinck’s music has found renewed life through film and television. A Man Without Love reached a new audience after appearing in Marvel’s Moon Knight on Disney+, while Quando, Quando, Quando featured in Netflix’s Umbrella Academy. Forever Blowing Bubbles was also used in Sony Pictures’ Bullet Train, further extending his cultural reach well into the streaming era.

In November 2023, the release of the documentary Engelbert Humperdinck: The Legend Continues offered unprecedented access to the singer’s personal and professional life. Shot across two continents, the film chronicled his journey with warmth and humour, underscoring the qualities that have sustained his appeal for more than 60 years.

Now approaching his 90th birthday on May 2, Humperdinck’s achievements remain remarkable. With record sales exceeding 150 million worldwide, dozens of gold and platinum albums, four Grammy nominations, a Golden Globe and multiple Walk of Fame stars, his legacy is firmly established. His continued relevance, however, lies in his ability to connect, whether through timeless recordings or nights on stage where every song carries lived experience.

ENGELBERT HUMPERDINCK THE CELEBRATION TOUR DATES 2026
Saturday 4 July, Brisbane, QPAC Concert Hall
Monday 6 July, Gold Coast, The Star
Wednesday 8 July, Melbourne, Hamer Hall
Friday 10 July, Adelaide, Her Majesty’s Theatre
Sunday 12 July, Perth, Riverside Theatre
Tuesday 14 July, Sydney, State Theatre

Tickets for all shows go on sale from Tuesday 10 February.

Mellen Events pre-sale runs from 9.00am Tuesday 10 February until 9.00am Thursday 12 February.

General public on-sale begins at 10.00am Thursday 12 February.

https://www.noise11.com/news/engelbert-humperdinck-the-celebration-tour-australia-2026-20260209

By Spotlight Central, Photos by Love Imagery New Jersey Stage 12/18/2025

Fans make their way out of the bitter cold into the warm and inviting State Theatre New Jersey auditorium in New Brunswick, NJ this Tuesday, December 9, 2025 evening for A Winter World of Love concert of holiday classics and greatest hits starring singer Engelbert Humperdinck.

The lights dim and pianist Nikko Ielasi, guitarist Keven Eknes, keyboardist Olivia Morreale, bassist Adam Cohen, and drummer Helen De La Rosa take the stage and play a dramatic overture of “Release Me.”

Engelbert Humperdinck, 89, makes his entrance from behind the curtain singing Frankie Valli’s “Can’t Take My Eyes Off You,” instantly connecting with the audience as he croons in his velvety baritone voice, “You’re just too good to be true/Can’t take my eyes off of you.”

The crowd applauds and Humperdinck blows a kiss to his fans before taking a seat on a stool and launching into the breezy country-pop tune, “Am I That Easy to Forget,” on an arrangement which features a lyrical piano solo by Nikko Ielasi.

“Good evening! Welcome to the show!” exclaims Humperdinck, announcing, “I’ve got some great songs for you here that I’ve been fortunate enough to record,” as Kevin Eknes’ acoustic guitar introduces Englebert’s seasoned interpretation of Don McLean’s “And I Love You So.”

Audience members whistle and cheer when they recognize a song that Humperdinck says is “at the top of my hit list.” A Latin feel characterizes his 1968 smash, “A Man Without Love,” where concertgoers tunefully sing along with Engelbert on the tune’s appealing “Every day I wake up then I start to break up/Lonely is a man without love” refrain.

Following up with “After the Lovin’” — a number which went “triple platinum” after appearing in Marvel’s Moon Knight TV miniseries — Humperdinck’s voice has an edge to it as he croons with feeling and dynamics, “And I know that my song/Isn’t sayin’ anything new/Oh, but after the lovin’/I’m still in love with you.”

Fans cheer and the band plays “The Stripper” as Humperdinck removes his jacket, undoes his tie, and unbuttons his shirt before pouring a drink and suggesting, “I think I have a frog — or a dog — in my throat.”

Explaining that tonight’s show will feature two parts — first, his “classic songs” and, then, a series of “holiday songs,” Humperdinck graciously toasts the audience stating, “Thank you for being at my show.”

Suggesting, “Let’s do something classic!” Humperdinck invites the crowd to sing on the “La la” interlude of his Latin ballad, “Love Me with All of Your Heart,” and follows up by joyfully showing the audience how he learned how to dance to “Ball in the Jack.”

Moving on to his 1968 hit, “Quando, Quando, Quando,” concertgoers sing along on the “Tell me when will you be mine” lyric of this upbeat Latin tune which features Keven Eknes shredding an electric guitar solo as Humperdinck charismatically dances about the stage.

Joking, “At this time I’d really like to sit down…because I’m 49 years old now!” Humperdinck reaches as he sings the 6/8 ballad, “Always My Love,” and the Journey power ballad, “Faithfully.” Putting on a cowboy hat, he belts out a gravelly version of Barry White’s “You’re the First, the Last, My Everything.”

Engelbert talks about a song he wrote 30 years ago for his “darling wife” who is “in heaven now” before presenting a poignant and tender rendition of his lovely ballad, “Everywhere I Go.”

The crowd applauds and Humperdinck follows up with his 1967 hit, “The Last Waltz,” where audience members sway as as they sing along with Engelbert on the song’s “I had the last waltz with you/Two lonely people together” refrain.

Humperdinck gives each of his bandmates an opportunity to shine on his interpretation of Bob Seger and the Silver Bullet Band’s “Old Time Rock and Roll,” before announcing, “Let’s do the song that made me famous!” and sings his 1967 hit, “Release Me,” his baritone sounding clean and smooth as he croons, “Please release me, let me go/For I don’t love you anymore.”

The crowd cheers and Humperdinck bows, exits, and returns to announce, “I think it’s time to do our holiday songs. Are you ready for them?” An ornate red and gold throne appears center stage where Humperdinck takes a seat and renders a swinging version of “Winter Wonderland.”

After talking about the cold weather outside, Humperdinck reveals that he plans to go home to a warmer Leicester, England for the holidays. Presenting a gentle ballad rendition of “I’ll Be Home for Christmas,” strings swell and Engelbert inquires, “Isn’t the music beautiful?” to which the audience applauds in agreement.

Concertgoers sway their arms on the pop ballad, “Winter World of Love,” before Eknes’ acoustic guitar is featured on the 3/4 time “Around the Christmas Tree,” which has Humperdinck slowly waltzing across the stage.

Engelbert again proposes, “It’s either a frog or a dog,” as he clears his throat and exclaims, “It’s a dog!” prior to rendering a husky R&B version of Charles Brown’s “Please Come Home for Christmas” from his golden throne.

Striking blue lighting sets the mood as Humperdinck pays tribute to his friend, Elvis Presley, with an engaging country-swing interpretation of Presley’s “Blue Christmas.” Then, acoustic guitar and piano accompany Engelbert as he sweetly ad libs while the audience sings the melody on a slow and peaceful arrangement of “Silent Night.”

Suggesting that his next number is “a great prayer,” Humperdinck prays, “I hope I can do it for you,” as he clears his voice and performs a song he recorded on his first Christmas album. Reaching for notes, Humperdinck ventures a reverent rendition of “The Lord’s Prayer.”

After revealing just how much he loves Christmas, Humperdink concludes tonight’s A Winter World of Love performance with a charismatic and bouncy version of “Have Yourself a Merry Little Christmas.”

While the band vamps, concertgoers avidly applaud as Humperdinck dons a red robe and shakes hands with audience members, tosses red handkerchiefs, and bows with his arms wide in front of the standing crowd, exclaiming, “Bye bye! Happy Holidays!”

As fans exit the auditorium, several share their thoughts on Engelbert Humperdinck’s performance tonight. Comments Bobby from Fredericksburg, VA, “I’ve been following Engelbert ever since I was a kid. My mother loved him and she passed it on to me. He’s absolutely the best — he’s amazing!” Erin from VA agrees, suggesting, “Mankind creates beauty and we enjoy it. I loved the show tonight; it was great!”

Linda from Vernon acknowledges, “I loved Englebert — he sounded a little raspy tonight, but he could just stand up there and sing with us and I’d still be happy.” Cyndy from Chicago asserts, “He always puts on a great show — he gives his heart and soul,” exclaiming, “I came all the way from Chicago to hear him tonight!”

Andrew, a musician from Toms River insists, “I’ve loved Engelbert for years and I always will.” His wife, Joanne, concurs, suggesting, “He can do no wrong. We’ve been following him for a long time and he did not disappoint despite being nearly 90 years old, God bless him.”

Lastly, Natalie from Dingman’s Ferry, PA declares, “Engelbert was absolutely fabulous tonight! I’ve been listening to him for 50 years, and he’s special,” prior to concluding, “There’s no one else like him.”

To learn more about Engelbert Humperdinck, please go to engelbert.com. For info on upcoming shows at STNJ — including The Jazz at Lincoln Center Orchestra with Wynton Marsalis on January 22, So Good! The Neil Diamond Experience on January 30, and Dirty Dancing in Concert on March 18 — please click on stnj.org.

https://www.newjerseystage.com/articles2/2025/12/18/a-winter-world-of-love-engelbert-humperdinck-live-at-stnj/

Chris Jordan Asbury Park Press Updated Dec. 9, 2025, 5:20 a.m. ET

Help wanted: Guitarist who knows Engelbert Humperdinck songs.

Jimi Hendrix fit the bill -- and how.

So it was in 1967 when Humperdinck, who is set to play three concerts in New Jersey starting with a Tuesday, Dec. 9 show at the State Theatre in New Brunswick, was on tour with Hendrix and the Walker Brothers. Humperdinck's guitarist went missing but Hendrix had it covered.

Hendrix's bassist, Noel Redding, had previously played with Humperdinck.

“We toured together at one time,” Humperdinck said of Hendrix. “When he came on stage in the U.K., he had to tour with people who were well known in the U.K. so he was on my bill. We did tour with him and he did an amazing job when he was there. One day my guitarist didn’t show up for the date and he said don’t worry man, I’ll play for you. So he did and it was amazing.

“I only wish I had recorded it.”

Hendrix played but was off stage -- unseen by the audience.

“Oh yes, he stood behind a curtain,” Humperdinck said. “He was a star -- I couldn’t put him on stage, could I?”

The tour, which also included Cat Stevens, was the first time Hendrix had lit his guitar on fire. Before solo stardom, Hendrix played for Little Richard and the New Jersey groups Joey Dee and the Starlites and the Isley Brothers.

“I grew up in the rock world but took the path of romance which is probably the best thing I did because everybody loves to listen to romantic songs and I'm glad that I chose that path,” Humperdinck said. “It’ll never go out. The world is full of love and romance and that’s the way it’ll stay.”

Humperdinck, born Arnold Dorsey in India, is known for romantic classics like “Release Me,” “The Last Waltz” and “There Goes My Everything, “A Man Without Love,” “Am I That Easy to Forget,” “After the Lovin',” “Winter World of Love,” and more. He's getting back into his rock roots with an upcoming collection of 1980s covers from Aerosmith, Kiss, the Cars and more.

“I'm always looking for new songs and new hits,” Humperdinck said.

And new ways to connect with fans. His Tuesday Museday video feature on Instagram gets thousands of hits.

“I try to keep up with my following around the world and what we’re doing with my Tuesday Muesday. It's what happens in my life, etcetera,” Humperdinck said. “It's a good way of keeping in touch and I love the comments. I read them and pay attention.”

Humperdinck is bringing his A Winter World of Love tour, featuring holiday classics and greatest hits, to the State Theatre on Tuesday; the BergenPAC in Engelwood on Wednesday, Dec. 10; and Harrah's Atlantic City on Saturday, Dec 13.

The singer, 89, previously announced that he's retiring but not so fast.

“At the beginning of this year I was sitting in the house for about three months and I was climbing the walls,” Humperdinck said. “I called my manager and told him to call the agents and tell them this is not my last tour. I was bored to tears staying home. I just enjoy being on the road, entertaining, and doing what I’ve been doing for the last 58 years.”

Visit www.engelbert.com for more information.

Go: Engelbert Humperdinck, 7 p.m. Tuesday, Dec. 9, State Theatre, 15 Livingston Ave., New Brunswick. Starting at $58. STNJ.org.

Go: Engelbert Humperdinck, 7 p.m. Wednesday, Dec. 10, BergenPAC, 30 North Van Brunt St., Englewood. $49 to $159. www.bergenpac.org.

Go: Engelbert Humperdinck, 8 p.m. Saturday, Dec. 13, Harrah's Resort Atlantic City, 777 Harrah's Boulevard, Atlantic City. Starting at $67.30. www.caesars.com/harrahs-ac.

https://www.app.com/story/entertainment/music/2025/12/09/engelbert-humperdinck-holiday-tour-jimi-hendrix/87678068007/

Published on: 

Nov 03, 2025, 2:34 am  by Jewil Anne M. Tabiolo SunStar

For decades, Engelbert Humperdinck has been the voice behind countless love stories. His songs play softly at weddings, on car radios and in karaoke rooms across generations. Now 89, the English balladeer continues to charm audiences around the world as he sets out on “The Last Waltz Farewell Tour,” which brings him back to the Philippines for a highly anticipated concert at the Waterfront Cebu City Hotel and Casino on Nov. 7, 2025.

For Humperdinck, returning to the Queen City of the South feels more like coming home to an audience that has always sung along.

“I’ve played in Cebu before, and it’s one of my favorite places to perform,” he said in an online interview with the local press. “This time, I hope I’m even better. The audience knows what I did before, and I can’t wait for them to come back and see me again.”

For Filipinos

Humperdinck’s connection with Filipino fans runs deep. His music, lush with emotion and sincerity, has found a place in Filipino culture. Songs like “Release Me,” “The Last Waltz,” and “A Man Without Love” are staples of karaoke nights and family gatherings.

“Most of my songs are in karaoke machines, and I think that’s one of the reasons why my music has stayed alive,” he shared. “It’s very flattering, karaoke has kept my songs going for generations.”

To this day, even younger audiences recognize his timeless melodies, often through the voices of parents or grandparents who once slow-danced to his records.

The showman

Despite the years and miles, Humperdinck’s dedication to his craft has never faltered. Every performance, he says, is guided by precision and respect for his audience.

“I like to keep everything professional — the lighting, the sound, the routine of the show,” he explained. “I take the show all over the world, get audience reactions, and learn what songs people like and what songs to take out. It’s a question of knowing what the audience wants.”

That instinct for connection has made him one of the most enduring figures in popular music. Since his breakthrough in the 1960s, Humperdinck has sold millions of records worldwide and performed to packed concert halls.

When asked how he keeps his voice strong after all these years, Humperdinck’s answer is all about the love for what he does.

“I take steam. I exercise my voice. I just keep it going,” he said. “The more I sing, the stronger my voice becomes — that’s why I love being with an audience.”

Even now, he continues to find meaning in every lyric he sings. Since the passing of his beloved wife Patricia, many of his songs have taken on a deeper emotional resonance.

“Since her passing, I read the lyrics much differently than before,” he admitted. “They have more sensitivity to them now, and it seems that every song includes a memory of her.”

Song for Cebu

For his upcoming concert, Humperdinck revealed that he’ll be performing something extra special for his Filipino fans, a song in their language.

“I’ll be singing a song in your language,” he said with a smile. “It’s going to be very, very nice for me.”

In past visits, he’s often spoken about how flattering it is to see local artists, even impersonators, paying homage to his style and voice. 

https://www.sunstar.com.ph/cebu/engelbert-humperdinck-89-set-for-the-last-waltz-farewell-tour-in-cebu